#8: (Un)Blocked
Battling creative block; the need for humanity (and humanities) in medicine; insane paywall fees.
Found in Knowledge Translation Blog
Being someone who is a creative person by nature, I like to think (perhaps like many others) that creativity is something I can dip into without fail - a Mary Poppins' carpet bag of ideas and inspiration. However, there are times that I brush against the bottom of the bag.
The dreaded block. A resistance to the creative end that feels nonsensical and without cause. I've faced this a number of times in both writing and photography. What I've had to learn (and constantly remind myself) is that, in my creative pursuits, even a bottomless bag needs time to replenish. It's at this point that many look to farming for guidance; specifically, the need to let fields - be they carrots or creative pursuits - lie fallow and allow nutrients previously leached by crops to return to the soils.
How do you do that, though, when you're farming creativity? For me, a few practices have helped me move through these periods of creative rest.
Curate Inspiration
I use Pinterest to curate a number of inspiration boards, as it's a wide variety of easily accessible sources (world wide web, baby), but you could also keep a journal or scrapbook. For the days I need to pause and replenish, I'll scroll through others' art and quotes, and pin those that attract me immediately, without second thought. I'll then go back later to look at it more closer and reflect on why I was initially drawn to the image. Was it the colours? Was it the composition? Was it the words used, or how they sparked a memory?
Consume Creativity
There is more resistance to let creative fields lie fallow because our society emphasizes production - an extension of the outdated yet persistent mindset that, "If you're not here, you're not working."
Another take on this is that constant production isn't necessarily healthy:
“[i]n nature, things that grow unchecked are often parasitic or cancerous. And yet, we inhabit a culture that privileges novelty and growth over the cyclical and the regenerative.”
Jenny Odell, in her talk "how to do nothing"
To shift to regeneration, Andrea Stephenson notes that it's important to “observe the world around me without any creative agenda.” In my case, I'll go to galleries and look at art, read books, watch movies, attend plays and readings. (I like all of these when I'm producing, too, but I'm more mindful of it during these rest times.) It's about being an audience member in others' forms of creation, and then allowing yourself time to digest the content, without comment or question or, perhaps most importantly, self-criticism.
Create Differently Without Agenda
I know above that I said it's about consuming in a fallow period, but in this case, you're consuming a new experience without pressure to produce. Look at it as new ways to play. In my case, I have a few projects on the go; currently, this means crocheting a sweater that I started in the summer, colouring, and playing with an oil painting kit I got for my birthday. It's not for procrastination or attention deficit, but for inspiration and more importantly, enjoyment.
Ultimately, Be Kind to Yourself
Perhaps the most frustrating aspect of creative block isn't that it happens at random, but that inspiration returns just as suddenly:
"I was cured but I didn’t know how or why the cure had happened. Since I hadn’t consciously discovered the key that unlocked the room inside me where these new poems and essays had been hiding, how could I trust that the room wouldn’t somehow lock itself up again and, the next time, what if the door never reopened?"
Kate Angus, in her post, Maybe the Secret to Writing is Not Writing.
I can't explain it, but remember that fallow times don't make a person any less of a farmer, and the same for creativity and whatever label you use to describe your own creative experiences. And while I've never been able to predict when a fallow period arrives or how long it will last, as it is always variable, I try to remind myself that the fields will eventually replenish. You WILL be able to pull out another floor lamp from the carpet bag.
#HowToDoPtEngagement
I share this tweet here in the engagement section because I think it speaks to the core of patient engagement: humanity. Understanding others - where they come from, what they feel, why they behave in a certain way - is just as valuable as “data points” as a lab value or the presence/absence of a behaviour.
Share Your Science
Are we starting to reach a new era of knowledge translation, where the revolution has begun against publishers and their iron grip on the sharing of science? Or is it that I’m seeing these commentaries in my social media and news feeds because my attention is on this topic?
I’m hoping for the former. As Dr. Glaucomflecken notes, the entire system of sharing (often publicly funded) research is inhibitory and, honestly, insane. (Also, watch his other videos.)
Reading Rainbow
After a long time on my “to read” list, I just finished Alan Alda’s book on science communication. As I mention in my GoodReads article, It was a breezy, enjoyable read that makes an argument for storytelling as a means to communicate science to a larger audience. Some of the deeper claims underpinning why this is important (i.e., the underlying constructs of empathy, familiarity, tying emotion to a story as a means of better solidifying memories, sound plausible) lack concrete references to these claims (other than citing an author name). But the exploration of storytelling in science is welcome as a valuable tool for meaningful communication.
Useful suggestions. I suppose I am fortunate in that I rarely have writers'block of anything like that. (In Fact, I usually have more ideas than time.) But when I do I try oulipo techniques, which involves using some form of constraint usually.